General Purpose and Audience
People write about film to understand their own responses to a film; to convince others of a position; to explain or introduce new concepts, artists, directors, or films; to compare films, directors, actors, or eras; or to connect to a culture or field. Audiences include filmmakers, technicians, critics, professors, classmates, and the general public.
Types of Writing
Review
Analysis and recommendation
Theoretical Essays
Argumentative or persuasive
Critical Essays
Critical, scholarly analysis
Analysis
Examination of plot, character, style, dialogue, message, etc.
Film History and National Character (production history, distribution/release history, or situation within film history)
Genres (types)
Auteurs (vision, themes, “signature” of director or actor)
Formalism (structure and style)
Ideology (political content)
Types of Evidence
Concrete, specific details, illustrations, examples
Primary Sources
Films, videos, DVDs
Published scripts/ screenplays
Shooting scripts
Secondary Sources
Books, journals, magazines, electronic sources, indexes
Writing Conventions
Blend personal perspective with objective analysis
Writing should be both descriptive and analytical
Use concrete, specific details as support
Voice and tone are balanced between formal and casual
Introductions should grab reader
Correctness and accuracy are highly valued
Over-use of “I” may weaken an argument
Terms and Concepts
Mise en scene
Caricature
Sequence
Narration
Irony
Scene
Narrative Structure
Story Structure
Microcosm
Macrocosm
Context
Subtext
Genre
Period Piece
Point of View
Adaptation
Documentation Style
MLA (Modern Language Association)
Sources Consulted
Corrigan, Timothy J. A Short Guide to Writing About Film. 6th ed. Pearson Longman, 2007.
McMahan, Elizabeth, Robert Funk and Susan Day. The Elements of Writing about Literature and Film. Macmillan, 1988.